YUKATA CHIC

 

AZABU JUBAN MATSURI  AUGUST 26,27, 2017

Yukata are HOT this year!
Yukata means summer!  And Tokyo summers are HOT!

The long stencil patterned cotton robes for summer have made a come back this summer and everyone was wearing them at Tokyo’s Azabu Juban Matsuri on the last weekend of August.  Thousands of people came for the two day summer festival and many were wearing Yukata in big, bold and surprising combinations.

And they weren’t just the cheap multi colored yukata that were popular a few years ago.  This year there were bold designs, brilliant colors, and fine quality weaves and dyes.  And above all, they were worn with pizazz, and Japanache !   A fan tucked in here or there, a chic obi tie, good looking geta on the feet.  Everyone was young !  The thinking was young.  (I was by FAR the oldest celebrant, though not in Yukata myself).  Everyone seemed at home in their “native dress”, as though they had come back home from long years of experimenting with western fashions.   Yukata came naturally to them and the taste was surprising and excellent.

As is the tradition in kimono and yukata, there is a sometimes subtle, sometimes not so subtle sense of fashion, of knowing what is good, how to put different parts together, of tapping into what is cool.  Look at me, the yukata said. What good taste I have! about the parade of people celebrating Juban Matsuri.  Juban means number 10 district in Azabu Ward, and this year they added a G to their banners and it became JUBANG. And rightly so !  It was a loud and exciting two days of music and fun.

 

 

 

There was a real bang in the crowd, people came to have a good time, eat well – food was more gourmet than the usual festival fare of tako yaki (grilled octopus) and yaki soba.  Apparently the restaurants in the neighborhood were providing the food.  I couldn’t stop taking pictures, though when I got back to the shop, the building’s security fellow scolded me for not asking permission when I took photos.  But that would have spoiled the spontaneity, I thought to myself as I tried to explain myself.  Many shots are from the back anyway, and I hereby apologize to those whose photos I snuck. Some gladly posed.

There are many ways of dressing for the festival. This woman was proud to pose with her dapper showpiece dog and gladly gave me permission to take their photo

I did not ask this woman, but modesty didn’t seem to be her stye!

Tatoos are all over the place this year.

Not everyone wore Yukata. There were other forms of chic as well, enjoying yourself, and other ways of getting attention!

But Yukata style clearly was the popular mode for the festival

 

IKI, Japanese word for simple sophistication, cool front and back, was in.

 

People by the thousands came to Jubang Matsuri to have a good time and relax in/show off their summer yukata.  It was a style show in good taste and enjoying life.  And reassuring to see that the Yukata is still with it and cool and a return to Japanese roots. Tadaima! I’m home, these fashions seemed to be saying, echoing the “MADE IN JAPAN” signs that are popping up on products in shops these days. There is a new pride in things Japanese, along with a realization – finally! – of the excellence of Japanese designs and craftsmanship.

People by the thousands came to Jubang Matsuri to have a good time and relax in/ show off their summer yukata.  It was a style show in good taste and enjoying life.  And reassuring to see that the Yukata is still with it and cool and ULTIMATE JAPAN.

 

AZABU JUBANG MATSURI was the place to be.
And Yukata was the way to dress!

Little customers posed in their recently bought jinbei from. The Matsuri spirit was shared by all and as happens at festivals, you chatted with the person next to you, complimented him on what he is wearing, asked where he got what he is eating. Instant friendship were formed. Drinks were  free flowing, but Yukata chic was what  gave the Matsuri its spark.

At the top of the escalator, the Blue & White landing gave a great view on the festivities below.  People came to have a look at the Matsuri below and at the peaceful shop filled with yukata derivatives and accessories.

They also came to check in and catch up.
Yukata naturals.  The woman on the right and left below are mother and daughter, 7th and 8th generations of Todaya Shoten, our oldest and most trusted dyer. Perfect models for living Yukata! Yakata in real life!

Inside Blue & White there was still more fashion.  People came to see what we had, and also to show us their sense of style, and just to say Hi!

Show us what they had.
Natural Yukata Style.
At home in yukata.

A beautiful shibori yukata.

Kimono came too, natural kimono.
This woman, seemed quite at home in kimono with beautifully orchestrated parts that play and communicate lifestyles.

So free and natural in her kimono, she found the perfect “Tsuno (horned) indigo shibori bag by Hiroyuki Shindo of Kyoto.  Her kimonoed friend wanted one too and ordered another.

 

 

Ultimate good taste.

The subtle combining of kimono and obi, under layers, and magical kibiso stole made of leftover silk cocoons is a lesson in kimono elegance by a woman who teaches Japanese to fortunate foreigners She is an ambassador of style and craftsmanship and their combining.

Without realizing it, Blue & White has become a destination for people who wear Yukata and Kimono.  They are happy to show us and know we appreciate their sharing of their great sense of style.  We encourage people to keep leading the way in the renaissance of this quintessential form of Japanese dress and style and carefully choosing all the critical pieces of craftsmanship that make up its totality.

Why do I continue to take photos from the rear? I am not sure why, but maybe it is because that is where the obi blooms in its pattern and weave and the way it is knotted. How it is tied and how it offsets the graceful shoulders and the slim figure and the graceful neck of the wearer.  And also maybe so I won’t get in trouble for not asking permission.  (Not the case here! I even wrote a letter to confirm her agreement to be used on this blog. She kindly consented.)

 

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A Basket Case!

Blue & White will be having a special Basket Case SALE from Monday June 26 until July 3!

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BLUES KEEP COMING TO ME

BLUES KEEP COMING TO ME

HEART FILLED BLUES, HAND MADE BLUES

OUT OF THE BLUE BLUES

 

The New Blue & White seems to be a magnet for new blues.

And that is what we feature in Blue & White to show to the world and to all who visit.

The parade of blues is unending and I can NEVER have enough. Nor do I ever cease to be amazed by the NEW BLUES !

Look at what just moved in to the small Palette Gallery next door to Blue& White! The luminous one stroke! Blue paintings of Mina Kazuki, a young artist similarly obsessed with blue. Her group show ended on June 19.

 

I am asking her to paint a special One Stroke Blue for Blue & White

 

Blues to wear always draw my eye, but this kimono worn by Mayumi Barakan after her stunning dance performance was Divine.

At last I have seen the PERFECT kimono! Mayumi told me she had had it for 20 years or so, but it was still fresh and lustrous.  Silk kasuri in all its glory.

 

Even from the back it was mesmerizing.  I couldn’t stop staring!  Or taking photos.

 

The blue and white washi, Japanese paper necklaces of Kyoko Fujimura bring joy and playfulness to all who try them.  This amusing woman who lives in Azabu Juban performed a jig of joy for us inspired by her new necklace.  She bought two.

 

This customer from Seattle was happy to take the washi earrings home with her.

 

 

Necklace made from deep indigo washi by Kyoko Fujimura

 

Blue plates and rag weave rug by artisans of Tamagawa Special Abilities craftsmen sell out as soon as they come in.

When our new visitor, Monica met the artisan who made the rag weave tapestry, she immediately wrapped it around her to wear and take home. Both were thrilled !

 

Gouged blue plate by Tamagawa Workshop

 

 

Even my dearest friend has caught the blue and white bug – and mastered it ! Voila!

 

Blue cloth.

Indigo dyeing at Ai Kobo, now named Factory Ai.

Traditional earthenware indigo pots filled with indigo grown and processed in Shikoku.

When I made a sudden visit to Ai Kobo, I found things being dyed, hanging out to dry, and ready for me to take back to Blue & White.

I was overwhelmed by their industry.

And organization.

 

 

Members of Ai Kobo all have specialties.

This woman’s specialty is graduated indigo.  A deep clear indigo disappears into white.  Not an easy technique!

 

This woman uses old film canisters to  clamp the cloth and produce hear white circles when the shirt is immersed in the indigo dye..

Mastering one technique is a key to the success of Ai Kobo / Factory Ai.  It nurtures pride in one’s own work. This man does pole dyeing shibori.

Man replicates the blues of nature.In the rainy season, hydrangeas treat us to an infinity of Blue.

 

New best friends. We came across them playing baseball after sumo practice!

A young sumo wrestler

Black dog Basho

Blue collar

Blue glove

True Blue !

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JUMP FOR JOY !

JUMP FOR JOY !

 

Rocket scientists and bamboo dealers, potters and poets have come to see the new Blue & White and have declared it a great success.

WHEW ! We have been working hard on getting the move upstairs right so that the new shop would carry the Blue & White spirit, and yet go forward with new energy and a fresh young persona.

Blue & White has reinvented itself in a bright new space, open-to-the-world where people are welcome to come and see our choice of the best of Japan in rotation.

We are jumping for joy!

We were deluged with flowers from many fields. Orchids from Okinawa and from across the street, wild flowers and wheat from Ishikawa Prefecture.

Our smiling ceramic Otafuku door handle still welcomes all to Blue & White.

After four busy months of preparing for the new shop, we reopened on April 29, the birthday of the Showa Emperor with delicious homemade food and cup cakes and cookies and drinks.

Robbie Belgrade and Bruce Huebner provided music that set the perfect tone of celebration. Their fabulous music was unexpectedly interrupted by the drumbeat and wacky music of 3 Chindonya, a musical troupe of riotous musicians dressed in comical Japanese costume, beating drums and symbols, and playing clarinets, who have an age-old tradition of going around neighborhoods to announce the opening of a new shop. They were a marvelous surprise from secret admirers in New York!

Food was homemade and delicious. Generous friends came and brought their home cooked specialties.

The hit of the day were cookies and cupcakes from twin chefs, Zoe and Jemima who put their artistry into their baked goods.

Their lacey blue filigree cookies went so fast that they were gone before I could take a photo . Fortunately one of our guests took one for me.

WOW!

The New Blue & White is filled with vitality, ideas and a palpable atmosphere of welcome and communication.

Joy Boy and Genki Girl are giant welcomes of fabric patches on both sides: of cut cardboard, old indigo on one side, contemporary strips of tenugui and yukata patches on the other. They stand in the large double display window inviting people to come in and see how we have fused old Japan and new, and forged them together into a new configuration for all to enjoy.

Each corner is a small vignette of like objects grouped together:

paper goods, things for sewing, ceramics and table ware.

An indigo corner.

Books and oddities. All manner of ideas for present giving.

These owly ladies made by Shobu Gakuen seem like a modern day Otafuku, making people laugh.

 

Bags, paper, ceramics and tableware

 

And of course our signature Tenugui and Yukata

 

Indigo koi nobori fly in the windows

An escalator delivers people right to our door, and outside there is a safe space at our entrance at the top of the escalator for children to test drive their indigo koi nobori made by the artisans of Factory Ai (indigo), a special abilities workshop.

 

It is very clear.

Blue & White has created a space where koi nobori and sashiko and handmade things of old Japan and new can play together happily in their new windows on the world for all to enjoy.

 

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STILL SPINNING

 

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                        In January of 2017, Blue &White moved from its original site                                             of 41 years in Azabu Juban.  The last 3 months have given us a                                           chance to regroup and refresh and observe the world around                                                                                  us more closely

                                      and see how much is going on in the world outside –                                                                          flying kites,  trimming trees, smokey moons

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Our world spins in blues and whites:  
Previous page:
Tenugui roosters drying at Asahi Dye Works
Woman modelling kimono at O Edo Antique Market, first and third Sundays
Above:
Exhibit of Tenugui and Yukata creations by Todaya Shoten, attests to future possibilities for tenugui.
And February on the thick handmade washi calendar of Shobu Gakuen in Kagoshima

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Contrasting squares of tenugui and yukata patterns make music for the eyes Todaya Shoten exhibit March 17, 18, 19 2017

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We have not been idle !

We have been working hard getting ready for the new shop. Thinking of new ways to dress, new fashions to present!

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thumb_IMG_5931_1024-1We have had time to take in Blue & White street scenes

Elegant spotted shades of indigo and white kasuri on a masterful but seemingly carefree Kurume kasuri kimono.  (She agreed to being photographed, but asked me not to include her face.)

More blue and white spots at a neighborhood festival bringing a Tai, red snapper of congratulations to offer to the tiny shrine with blazing red and white banners lining the path to the Matsuri

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S U R P R I S E !

Not ready to show photos of the shop – everything’s covered and barred in now, but the New Blue & White will open soon – white, bright and filled with new creations in indigo, tenugui and ceramics..

Opening April 29th!   Look for the Checkerboard Banners.  They will show the way to the fresh and bright new shop bursting with energy, ideas and Indigo.  Old things, too.

                                BLUE & WHITE

                        A NEW LANDMARK IN AZABU JUBAN !

                             THE  NEW  DESTINATION

  FOR THE BEST OF JAPAN IN BLUE & WHITE TEXTILES AND CERAMICS

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SOMETHING OLD SOMETHING NEW – SOMETHING WHITE SOMETHING BLUE

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BLUE & WHITE has suddenly and mysteriously vanished.
Poof!
In one quick day, 41 years of colorful history disappeared.
Totally demolished and leveled and fenced in. What a Shock!

We hope some of you have worried where we have gone, and wondered what has happened to us.
Into hibernation might be the best answer.

What was once a cozy shop filled with charm and quirkiness is now a memory, or a photograph.
The front of the shop was studded with ancient imari shards collected from the beaches of Japan. The walls were hung with old textiles and quits.

Even the bathroom had pizazz!

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The old shop, created in the open space beside a supermarket, was deemed illegal and demolished to make way for the new market, super power AEON.
Blue & White was leveled and given space upstairs on the other side of the building.

We moved out of our 41 plus year premises on January 10, six weeks ago, and packed ourselves up into hundreds of boxes to sort and cull and edit for the New Edition of Blue & White – Fresh and Young and Sleek – to Debut in April of this year. Our new space on the second floor of Aeon Market in a bright window filled corner is sure to become a new landmark in Tokyo for those looking for Indigo, sashiko, handmade ceramics, tenugui, clothing, bags and presents in all shades of blue and white.

The pick of Japan.
All made by hand. All made with heart.
We will be even more exciting than before and showcase the best that Japan has to offer in blue and white.

We are excited about the change in Blue & White. We will be bright and beautiful and look out over the charming neighborhood of Azabu Juban. A new perspective/ vantage point.

We will be new and different in many ways, but still, as always, bring to the world the best and most extraordinary handmade crafts of Japan.

We take this change as a chance for us to remake ourselves into a young, dynamic and slightly zany, fun-loving place where people will be welcome to come and chat and enjoy themselves. Do come and have a good time, while having a look at what we have chosen. We offer you the cream of blue and white creations in Japan. Blue & White presents old ideas in new ways.

Look for the Blue & White checkerboard banners. They will show the way to the newest hot spot in town.
The New Blue & White in Azabu Juban –
Coming soon!
Think April.

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The last dance in the old Blue & White
Indigo stoles by Ai Kobo Special
Abilities Workshop in Tokyo’s Meguro Ward.

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By word of window
We let the neighborhood know,
it was time for a change . . .
However undesired.

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After the party was over and we had moved out, we realized what a beautiful space it was for 41 years, in the very heart of one of Tokyo’s most lively and charming old times/new times neighborhoods where we could not just watch the world go by, but be a vital part of the neighborhood.

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Down to the bathroom floors, the eternal blue and white combination was everywhere!

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The movers wore blue & white And they RAN to deliver their blue and white boxes from storage.

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Construction began yesterday. Wrap around windows will make Blue & White a new look out point on Azabu Juban, the charming old fashioned neighborhood where we have been for 42 years now.

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Blue & White dreaming . . .  of all we can do with all those windows on the world, windows on Azabu Juban windows on the parking lot!

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One artist’s rendering of what we will look like. But this is not half of it!

Our new space on the second floor of Aeon Market in a bright window filled corner will become a new landmark in Tokyo for those looking for Indigo, sashiko, handmade ceramics, tenugui, clothing, bags and presents in all shades of blue and white.

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However new we become,
we will always embrace the old, the broken, the imperfect.
Surprising you with old things in new ways and new things you’ve never seen before.

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Antique glass Go pieces, a Japanese game of chess.

Blue & White
forever spinning
forever presenting new ways of seeing Japan
and appreciating, no, loving it!

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The good times will roll again soon.
Look for us on the 2nd floor right side of Aeon Supermarket.
We’ll be there as soon as we can.
Soft opening at the beginning of April.

Enter through the market, upstairs through the side door.
Formal opening: 29th of April when the escalator entrance to Blue & White is completed and you can enter through our front door.

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Surprising you with old things in new ways and new things you’ve never seen before.

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Old friends will be there.
Yoshida Ichiro, a wild and wonderful textile artist from Shikoku.

Below: Shobu Gakuen, an inspired and inspiring Art Center for People with Special Abilities in Kagoshima, Kyushu.

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We will all be waiting for you to come and bless our new home
and join us making merry!

 

 

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COASTERS FOR CHRISTMAS

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Have you ever thought about how important the lowly coaster can be? Not only is it the go-between between table and glass or cup, but the humble coaster is also micro universe, nano cosmos unto itself.

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And coasters of all kinds came flying into Blue & White to decorate our architectural Christmas tree of leftover bamboo from the magnificent green bamboo yard in our neighborhood. I often do my shopping there ! The tree was constructed by 2 young and resourceful architect friends, Shuetsu Udono and Kumiko Nishihara out of cut up pieces of bamboo leftovers and rice straw. Buckminster Fuller would have been astounded. Envious even. On its own, the tree was a beauty, but the gradual addition of colorful and inventive coasters made by all our friends and makers and students created a wonderful panoply of expressions of thread on cloth.

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The arrival of thirty intense and colorful coasters of Tamagawa Sagyosho, a special abilities craft training center in Tokyo’s Setagaya was a windfall of coaster energy. Our display of their mini masterpieces in the window of the Hotel Okura was widely admired, though difficult to photograph in all its splendor. The touching spirit of a handmade Christmas from the heart.

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Our display of their mini masterpieces in the Hotel Okra window was widely admired, though difficult to photograph in all its splendor. The touching spirit of a handmade Christmas from the heart.

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Much to my delight our very first coaster entry was Otafuku, made by Susanna Wellenberg of Munich out of the leftover cut ends of rolls of tenugui material. Such radiating joy and resourcefulness!

Susanna, an incredibly gifted seamstress, designer, origami folder, computer whiz, linguist, humanitarian friend from Germany, was first with scraps she picked up at Blue & White. She comes to Japan each fall and quietly parades her spectacular sashiko clothing in all shades of indigo, but in these playful creations, she shows what can be done with scraps and a boundless imagination.

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The Rising Sun in leftover tenugui scraps.

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A blue and white universe of threads by Susanna Wellenberg.

Front or back, both have a strong message. Chaos or order. Freedom or discipline.

 

 

 

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coasters-for-christmas-10HAPPY BIRTHDAY BLUE & WHITE!
And a Merry Coaster Christmas to the world!

coasters-for-christmas-11At the same time as the arrival of our Christmas coasters, Blue & White celebrated its 41st birthday in delicious style with contributions from family and friends, starring the wonderful creations of Takako Nishikawa who flew in from Ishikawa Prefecture just for the occasion!

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Coaster close ups
Mosaics on cloth

 

 

 

 

 

 

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Our handsome bamboo tree changed with the times. From coasters for Chrismas, and our 41st birthday celebration, to displays of the elegant Shime Kazari New Year’s decorations by our talented clothing designer, (and chef) Takako Nishikawa (who also cooked and brought most of the delicious and beautiful birthday dishes from Ishikawa Prefecture!) and finally to this simple New Year’s display with nandina and pine. Sadly our last window display in the old Blue & White. Kazuko Yoshiura’s magnificent Sashiko Universe stitched on indigo hangs in the background.

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Today, unbelievably, will be the last day of The Old Blue & White after 41 years of joys, discoveries, creations, friendships, to say nothing of surprises. You can see it is time for a face lift. And we will have more than just that!

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The NEW BLUE & WHITE will open soon – date yet to be decided – in a bright new space on the 2nd floor of the next door market, Aeon. We will keep you posted when it will happen. Young and exciting and bringing you new blue & white discoveries, Blue & White will undergo not just a Face Lift, but a total Rejuvenation!
You will be dazzled!

We promise!
Good things are coming in 2017! A Happy New Year to you all!

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BLUE &WHITE TIMES

A CALENDAR AND A FACELIFT

Some traditions go on without end. Our Blue & White calendar is one. We have been creating fresh and original designs every year for nearly 40 years and are already thinking of next year’s theme. The new 2017 calendar is all about patterns. Patterns of Textiles old and new, and the continuum of the Japan textile lexicon/ tradition that Blue & White hopes to perpetuate.

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2017 CALENDAR PATTERNS

Blue & White now has a (very simple) e-commerce site where you can order the 2017 Blue & White calendars securely.  Please go to https://baw.theshop.jp while supplies last!

Please note this site is only able to accept Japan issued credit cards for the time being.  If you would like to pay with a non Japanese credit card, please Please click on CONTACT on the top of the site, and enter your name, email address and phone number.

Please enter “Request Calendar Order” in the TITLE field, and provide the following information in the YOUR PROBLEM/ FEEDBACK field.

Number of Calendars Requested
[Shipping Details] – where to ship
Name
Address & Postal Code
[Billing Details of Credit Card] – if different from Shipping Details
Name
Address & Postal Code
Contact Number
Invoice [include/do not include]

We will process your payment through PayPal and contact you at the email address provided.

Blue & Whiteの2007年カレンダーをご希望のお客様、カレンダー用の簡単なウェブショップを開設いたしました。ご購入はこちらをご覧ください。https://baw.theshop.jp

現時点では日本国内発行のクレジットカードのみ対応しておりますのでご了承ください。海外発行のカードをお持ちのお客様はお手数ですがページの上部にあります CONTACT をクリックし、次のページでお名前、メールアドレス、お電話番号を各欄に、また、件名欄に「カレンダー購入希望」と入力いただき、お問い合わせ内容の欄に以下の情報をご記入ください。

[ご購入部数]
[お届け先]
郵便番号
住所
[請求先] (お届け先と違う場合)
郵便番号
住所
氏名
電話番号
納品書の送付の可・不可

こちらでPaypalでの注文を処理し、ご記入いただいたメールアドレスにご案内いたします。

CHANGE

Some traditions are subject to change. And the change at Blue & White will be a big one. After 41 years, we are being forced to move due to our new next door neighbors, Aeon Supermarket which is remodeling our old building  to comply with earthquake restrictions. Blue & White, though unscathed by the huge earthquake of 2012, apparently does not live up to standards and so must be torn down – can you believe it!?!? We can’t!

In order to remain the same, you must change, our landlord told us . . . so after the initial, and ongoing heart break, we are determined to make the CHANGE a CHANCE to clean up and clear out and upgrade and streamline and make a new statement of good taste in craftsmanship and the handmade excellence of Japan.

CHANCE

As a place of warm welcome and lively center of human exchange, Blue & White will NEVER change! We don’t know where we will move to. Somewhere closeby and in Azabu Juban, of course. But it will be soon.

The new Aeon opens on December 9th, ironically Blue & White’s 41st birthday. We will keep you posted by Blog and directly as well. We will make CHANGE a very exciting CHANCE for Blue & White to grow, though the space may be smaller ! – to redefine ourselves, and to distill the best of 41 years of a shop which is very precious to us all into a stimulating new space.

Look for the new Blue & White in January 2017.

Write it down in your calendar!

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A BLUE AND WHITE BIRTHDAY

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Birthdays and trips to Okinawa need to be planned carefully. In order to start the day perfectly, you must avoid arriving on Thursdays or Sunday because that is when OTonariya in Yomitan, not far from the pottery kilns, is closed. They sell out early, so be sure you get there early enough in order to start the day with a slice of their freshly baked rosemary bread. A blueberry bagel, maybe? Some crunchy oatmeal, whole wheat and nut bread . . .

沖縄旅行での特別な一日を完璧にするためには、予定をしっかり立てなければいけ
ません。
沖縄への到着日は木曜と日曜を避けましょう。でないと、読谷村にあるパン屋「おとなりや」が閉まっています。そこのパンはあっという間に売り切れるので、美味しい美味しいパンで一日の始まりを迎えるには、売り切れる前の余裕を持った時間に訪れる事をおすすめします。

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Some birthdays call for less fanfare, more quiet and even unplanned observance with family and friends, in beautiful spaces and favorite places. This year was just that. A spontaneous trip to Okinawa to stay with my dear friend and bask in the glory of her heavenly house was the perfect setting.

An ancient banyan tree inherited from an older friend stands guard at the gate and protects the house and all who enter.

時に誕生日のファンファーレは少なく、静かに予定も立てずに友人や家族と、大好きな美しい場所で過ごす場合もあるでしょう。今年の誕生日がまさにそうでした。タイミングが重なり訪れる事になった今回の沖縄旅行は、親愛なる友人の天国の様な邸宅に滞在し、最高のスケジュールでした。

a-blue-and-white-birthday3Old roof tiles saved by master plasterer and roofer KumamotoTsutomu san crown the stunning architecture and the final touch was a guardian Shiza, or lion dog made of broken pieces of tile and plaster, strategically placed to repel evil spirits.

The house is without equal, in my albeit limited experience, in setting, and architecture, craftsmanship and meticulous attention to detail – all the best of Okinawa, an enchanted, if abused southern island of Japan.

古い屋根瓦は左官職人であり屋根職人であるクマモトツトム氏により手入れされており、屋根のてっぺんには最後の仕上げともいうべく魔除けのシーサー、あるいはライオン犬がタイルと石工で作られ、収められています。

私の経験上ではありますが、家というものは、家具の立て付けや職人による細部のこだわりや、建築物それ自体に同じものはありません。魔法がかけられたかのような、かつ取り残されたかのような日本の南の島、沖縄のすばらしさでしょう。

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The garden is a sumptuous mix of lush tropical vegetation deftly marked with old steps of old coral and stone and ancient coral rocks.

To walk outside in the garden to the beach is to be wrapped in voluptuous green as the breath stopping view of the sea below unfolds on your way down to a perfect white beach.

庭には綺麗に植えられた熱帯植物が茂り、階段には贅沢に、古い珊瑚、石、珊瑚岩が敷かれています。

庭から海岸へ抜ける際には官能的な緑に包まれ、そこを抜けると息が止まるほどの真っ白い海辺が広がります。

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Looking back from your swim, the magnificent view of the meeting of green jungle vegetation on steep coral cliffs, and white sand beach with the gentle blue sea begs description.

海水浴から戻り振り返ると、珊瑚の崖の緑のジャングルに出会いその先に白い砂の浜辺と穏やかな青い海が広がります。

The beach itself is studded with otherworldly stands of tall pocked coral that seem like abstract sculptures on the white sand. And a swim in the azure ocean is a soft embrace of the clear water, with a magnificent view of the place where green jungle vegetation meets soft white sand beach and blue green sea.

海辺自体は、白い砂で出来た抽象的な彫刻の様な、穴ぼこだらけのせの高い珊瑚が広がっています。そこに、緑のジャングルと柔らかな白い海辺が出会う空色の海での海水浴。綺麗な水に柔らかく包み込まれます。

The birthday lunch was arranged at Fu-An, one of my favorite restaurants in the world, in an old Okinawan minka with a seemingly unkempt, but in fact artfully arranged aesthetic that captivates me each time I visit. Kinjo Dan is the young owner and chef of Fu An who has been collecting the ceramics of his favorite potter and mine, Omine Jissei, and serves his original  cuisine of mostly Okinawan vegetables on Omine san’s works. We were 5 and Dan san kept serving an endless procession of glorious new cuisine on an amazing array of platters and dishes that were different for each guest.

誕生日のランチは世界中のレストランの中でも最も大好きな一軒。風庵にて。沖縄の古民家で、一見ぼろいようで実は巧みにアレンジされた美学がちりばめられていて、訪れるたびに魅了されます。

若いオーナーシェフの金城男(きんじょうだん)氏は、私も彼も大好きな陶芸家、大嶺實清氏の陶芸を収集しており、彼はそれらを使い、主に沖縄で採れる野菜をふんだんに使った彼独自の料理を出しています。

私たちは5名で店を訪れ、男さんは私たちに信じられない数多くの異なったお皿と、またしても驚くような新しく素晴らしいお料理を、果てしなく続く行列のようにおもてなしてくださいました。

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There was even a sign to declare the occasion. So typically thoughtful of Dan san.

誕生会のサインもあります。本当に思いやりが行き届いている男さん。

a-blue-and-white-birthday7Omine san’s signature Shiza were watching over our feasting.

大嶺氏の代名詞でもあるシーサーが私たちの食事を見守ります。

a-blue-and-white-birthday8Astonishing vegetable sushi.

驚きの野菜寿司。

a-blue-and-white-birthday9The delicious combination of grated local vegetables in a cup and saucer that fused in the firing is a taste and feeling to remember.

ティーセットに入れられた、地元の野菜を混ぜ合わせたソースを使った一品。

味と食感がすぐに思い出せます。

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a-blue-and-white-birthday11One of a kind matching of dish and organic cuisine.

器とオーガニック料理がマッチしているユニークな一品。

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a-blue-and-white-birthday13Food and presentation for all the senses.

お料理も盛りつけにも男さんの光るセンスが溢れています。

a-blue-and-white-birthday14Surprising  swirl of soba!

そばの渦に驚き!

a-blue-and-white-birthday15Birthday cake supreme by Toguchi Kyoko, with blueberry and yoghurt icing on a loopy cut out platter by Omine Jissei.

戸口きょうこ氏が作ってくれた、ブルーベリーとヨーグルトのアイシングがされた誕生日ケーキ。穴が開いたお皿も大嶺實清作。

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The grand finale of a magnificent lunch was the gift of a hauntingly beautiful blue black tea cup from Omine Jissei. Its deeply penetrating luster had a mystery about it, and its sensuous shape was one I will never let go of. Omine san had given me a box of Okinawan vegetables at the beginning of our lunch, so I never dreamed of receiving such a treasure as this…

素晴らしい昼食のフィナーレを飾ったのは、大嶺實清氏からの湯のみでした。

神秘的な深い光沢そして形。生涯手放さない物の一つとなりました。

ランチの前に、彼から箱一杯の沖縄野菜を頂いたのでまさかこんな宝物を頂けるとは夢にも思いませんでした…

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And then to top it off, I returned to small blue and white wonders in Tokyo!

そして東京のBlue&Whiteの世界に戻ってきました!

Original first ever cupcakes made by son Toshi who had never tried his hand at any baking other than chocolate chip cookies. He had hurried home from an important business meeting to make these delicacies for our dinner. They were not only works of art, but also utterly delicious, and made from scratch from an ancient family cookbook. How sweet is that!

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And later still, a possible world first!

その後も続きます、世界には可能性が!

An original innovation of blue dyed eggs wound in swirls of rice and wrapped in seaweed. Blue and white makizushi with blue eggs. A wonderful surprise from young neighbors Shuetsu Udono and his partner, Kumiko.

斬新なアイディアで、卵を着色料で青くし、のりで巻いた Blue&White 巻き寿司です。若いご近所さんの宇土野シュウエツとパートナーのクミコからの素敵なサプライズでした。

A BIRTHDAY SUPREME IN EVERY WAY !

色んなことが、誕生日を最高にします!

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BLUE & WHITE HEALING

Nine big boxes of memories arrived at the house last week when I was a captive audience with a broken ankle. My husband Yuichi’s brother was tidying the family closets and came up with round three! of finding places for the massive kimono collection that their Mother and her sister had amassed.

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Upon opening the boxes, the pungent smell of camphor and must filled with room and our throats. My brother‐in‐law had thoughtfully brought masks to prevent inhaling the fumes. But holding my breath as I pulled out the kimono and parts, I could hear the voices of the two sisters nattering together and rejoicing in the patterns and weaves and tones and stitches of the kimono rolls and obis they had found. And saved! No scrap of cloth was too small for them to throw away. Never!

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Two elegant ladies, they were, but they were also hoarders plain   and simple. But they taught me how to appreciate the deep hidden messages that Japanese artisans, textile and others, wove and dyed and sewed into their creations. I hear the voices of the collectors and the creators chatting away in those boxes. And now the textiles have come to our house to live. Is there any better way to heal? And to learn? The two sisters, one born in the Meiji Era, very Japanese aesthetic, the other was born 7 years later in the more modern and western looking Taisho era, taught me so much about Japanese taste and the finer points of Japanese textiles, not to mention Japanese thrift – the philosophy of Mottainai, of saving the very last bit. With my Father‐in-law they came to supper at our house every week and always took great care to dress in the finest of kimono and obi combinations to reflect both season and occasion. The pity I did not have m iphone at the ready to capture those elegant statements of fine taste.

But now the question was How to sort them, sift through them, and give them good place in our lives now?

The first step clearly was to air them and wash them and throw away the pieces that had no future. A painful decision indeed. The yukata were easy. Just a long soak in strong yet gentle detergent and a hang in the breeze and the sun. They came clean easily. The others are more difficult to clean and freshen, but the encounter with all these textiles has brought back beautiful memories of two women who were my patient and brightful – my Mother-in-law’s own expressive word – mentors in my long years in Japan.

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Blues and whites were first to be sorted, of course. Cottons and hemps and silks. All indigo, of course!

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Bold stripes and bold plaids. Juxtaposing patterns makes sparks.

Gentle detergent, warm suds, bright sun, fresh air and good views bring these yukata back to life.

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Nostalgic patterns and soft cottons distinguish these Showa era yakuta sunning in the fresh air and coming back to life.

Sitting at home with these memories was excellent therapy for one forced to be still, never quiet! But after weeks I became restless and ventured out to the nearby Tomioka Hachiman Shrine flea market with my kind and enabling son.

What? How can you possibly need more STUFF! I thought to myself?  But just to see the beautiful creations laid out on the vendors’ mats and be inspired by them was also healing.

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These indigo threads were leftovers from a weaver in Fukushima. What beautiful shades of indigo as a (hemp) thread. I am convinced that it is not the red thread of destiny that connects us all as Japanese romanticists believe, but the indigo thread of connectedness that ties us together.

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A visit to Blue & White, my own shop that I hadn’t seen for weeks, brought strength and healing. This beautiful kasuri handbag of rounds of stenciled and freehand indigo appliques sold immediately after being placed in the window.  No wonder!

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Our  original Genki Tenugui, is guaranteed to bring courage and well being to the long process of healing, be it after earthquakes or falls or sickness, or any other malady needing encouragement.

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A young and satisfied customer who went home with a spotted apron from Ai Kobo, special abilities workshop. He is a florist and the apron works perfectly to hold his scissors and other tools.  It is his second one.

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This young man with blue and white woven scarf by Ishikawa Misuzu reassures me that blue and white is good for all ages, all walks of life.  He is an aspiring chef in a French restaurant.

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Having been out of circulation for a long time, my return to a world of blue and white brings intense nourishment.  There is healing in antique indigo textiles as well. These two bush warblers (uguisu) on a blossoming plum branch are sharing their berries on a 19th century free-hand drawn auspicious futon cover, a tsutsugaki in my own collection.

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Going to the last day of the exhibit of “The Aesthetic Eye of Morita Tadashi in Kooriyama, in Fukushima Prefecture, was the ultimate test of how far my healing had progressed. A two hour train ride plus taxis were worth the effort just to see the extensive collection of Morita san of Morita Antiques on Aoyama’s Koto Dori (antique street). He has been collecting folk textiles for 50 years? and sets the standard of taste.

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And this jaunty fellow at the Tomioka Hachiman Shrine antique market – first, second and 4th Sundays of the month, is dressed for all seasons, all occasions, all tastes. The last word is Blue & White ! The very sight made me want to stand in the sun with him and watch the world go buy.

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